PREFACE
For
over thirty years I have been giving the talks and
demonstrations that are gathered together in this
book. Many of them have appeared in magazines or in
the “Birch-Bark Roll” that has come out annually for
eighteen years. But this is the first time in which
a comprehensive collection has been made of the
activities, customs, laws, and amusements that have
been developed in my camps.
Some of the related subjects I have treated at too
great length for enclosure in one book. Of this
class are the “Life Histories of Northern Animals,”
“Animal Stories,” and “Sign Language,” which appear
as separate works. All are merely parts of a scheme
that I have always considered my life work, namely,
the development or revival of Woodcraft as a school
for Manhood.
By Woodcraft I mean outdoor life in its broadest
sense and the plan has ever been with me since
boyhood.
Woodcraft is the first of all the sciences. It was
Woodcraft that made man out of brutish material, and
Woodcraft in its highest form may save him from
decay.
As the model for outdoor life in this country I took
the Indian, and have thus been obliged to defend him
against the calumnies of those who coveted his
possessions. In giving these few historical extracts
to show the Indian character, it must be remembered
that I could give hundreds, and that practically all
the travelers who saw with their own eyes are of one
mind in the matter.
Commissioner Robert G. Valentine, of the Indian
Bureau, the first Indian Commissioner we have ever
had who knew and sympathized with the Indians,
writes after reading my manuscript:
“On the question of the character of the Indians I
am in absolute accord with you on everything that I
believe any one vvould consider a basic point. In
speech after speech I have fought the idea that
Indians were cruel or lazy or vicious, and dwelt on
their positive virtues — among these their sense of
humor, and their deep reverence.” [The great racial
defects of the Indians were revengefulness and
disunion, and, latterly, proneness to strong drink.
They taught the duty of revenge; so that it was easy
to begin a feud, but hard to end one. Instead of a
nation, they were a multitude of factions, each
ready to join an outsider for revenge on its rival
neighbor. This incapacity for team play pre« vented
the development of their civilization and proved
their ruin.]
The portions of the manuscript called “Spartans of
the West,” and “Campfire Stories of Indian
Character,” have been submitted to George Bird
Grinnell, of New York, whose life has been largely
spent among the Indians, and have received from him
a complete endorsement.
In a similar vein I have heard from Dr. Charles A.
Eastman, and from nearly all of the many who have
seen the manuscript. Some of my friends at the
Smithsonian Institution take exception to certain
details, but no one denies the main contentions in
regard to the character of the Indian, or the
historical accuracy of the “Campfire Stories.”
Gen. Nelson A. Miles, for example, writes me:
“History can show no parallel to the heroism and
fortitude of the American Indians in the two hundred
years’ fight during which they contested inch by
inch the possession of their country against a foe
infinitely better equipped with inexhaustible
resources, and in overwhelming numbers. Had they
even been equal in numbers, history might have had a
very different story to tell.”
I was taught to glorify the names of Xenophon,
Leonidas, Spartacus, the Founders of the Dutch
Republic or the Noble Six Hundred at Balaclava, as
the ideals of human courage and self-sacrifice, and
yet I know of nothing in all history that will
compare with the story of Dull Knife as a narrative
of magnificent heroism and human fortitude.
While I set out only to justify the Indian as a
model for our boys in camp, I am not without hope
that this may lead to a measure of long-delayed
justice being accorded him. He asks only the same
rights as are allowed without question to all other
men in America — the protection of the courts, the
right to select his own religion, dress, amusements,
and the equal right to the pursuit of happiness so
long as his methods do not* conflict with the
greater law of the land.
This book is really the eleventh edition of the
“Birch-Bark Roll,” which I have published yearly and
expanded yearly since 1902. On the first day of July
that year I founded the first band of Woodcraft
Indians. Since then the growth of the movement has
called for constant revision and expansion. In the
present volume, for the first time, I have fully set
forth a justification of my Indian Ideal.
I am deeply indebted to my friend, Edgar Beecher
Bronson, for permission to include the History of
Chief Dull Knife’s March, which appeared in his
“Reminiscences of a Ranchman.” It is a story that
should be known to all the world.
I have also to express my obligations to Messrs.
Charles Scribner’s Sons for permission to quote from
Capt. J. O. Bourke’s writings, to J. W. Schultz for
the use of his charming story of “No-Heart,” to
Messrs. The Fleming H. Revell Co., for permission to
quote F. W. Calkins’ story of the “Two Wilderness
Voyagers,” to Miss Alice C. Fletcher for the use of
two Indian songs from her book “Indian Story and
Song,” as noted, to Edward S. Curtis for the use of
Sitting Bull’s “War Song,” to Dr. Clinton L. Bagg
for help in the “First Aid,” to Dr. C. C. Curtis for
the identification of toadstools, to Dr. Charles A.
Eastman (Ohiyesa) for general criticism and for
special assistance in the chapters on “The Indian’s
Creed,” “Teepee Etiquette,” and the “Teachings of
Wabasha I.”
Also to Robert G. Valentine (Indian Commissioner)
and George Bird Grinnell of New York for critical
reading of the historical parts of the book.
The section on Forest Trees appeared originally as a
separate handbook called “The Foresters’ Manual” in
1912. In it I aim to give the things that appealed
to me as a boy: First the identification of the
tree, second where it is found, third its properties
and uses, and last, various interesting facts about
it.
I have included much information about native dyes,
because it is all in the line of creating interest
in the trees; and because it would greatly improve
our color sense if we could return to vegetable
dyes, and abandon the anilines that have in many
cases displaced them. So also because of the
interest evoked as well as for practical reasons I
have given sundry medical items; some of these are
from H. Howard’s “Botanic Medicine,” 1850. Several
of the general notes are from George B. Emerson’s
“Trees and Shrubs of Massachusetts,” 1846.
As starting point I have used Britton and Brown’s
“Illustrated Flora” (Scribner, 1896) and have got
much help from Harriet L. Keeler’s “Our Native
Trees” (Scribner, 1900).
The illustrations were made by myself from fresh
specimens in the woods, or in some cases from
preserved specimens in the Museum of the New York
Botanical Garden at Bronx Park.
The maps were made for this work by Norman Taylor,
Curator of Plants in the Brooklyn Botanic Garden, N.
Y., with corrections in Canada by Prof. John Macoun
of the Geological Survey at Ottawa, Canada.
To Dr. N. L. Britton, Norman Taylor, and Prof. John
Macoun, I extend my hearty thanks for their kind and
able assistance.
The names of trees are those used in Britton’s
“North American Trees,” 1908.
When I was a boy I hungered beyond expression for
just such information as I have tried herein to
impart. It would be a great joy to me if I could
reach and help a considerable number of such
heart-hungry boys tormented with an insatiate
instinct for the woods, and if I fail of this, I
shall at least have the lasting pleasures of having
lived through these things myself and of having
written about them.
The Book of Woodcraft
By Ernest Thompson Seton (1921) (pdf)
Manual of the Woodcraft Indians
The Fourteenth Birch-Bark Roll Containing Their Constitution, Laws,
and Deeds, and Much Additional Matter By Ernest Thompson Seton
(1915) (pdf)